In 1984 the label changed subtley once more, this time the rimtext was added to and so now circles round the entire label rim, reading: “Apple Records – All Rights Of The Producer And Of The Owner Of The Recorded Work Reserved. Unauthorised Copying, Hiring, Renting, Public Performance And Broadcasting Are Prohibited” . Manufactured in the UK by EMI Records Limited”. This label text coincides with a rimtext change in the Parlophone label which occurred in 1984 so we can pretty confidently assume the same change was forced upon Apple at the same time. Some copies came with a sleeve that incorporated the CD release’s catalogue number so we know this was a label design used between 1984 and 1991.
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Cassini has only three orbits left in its 20-year-long journey, the next of which starts today. On its final dive on September 15th, it’ll plunge itself into Saturn’s atmosphere with its antenna pointing toward Earth, transmitting everything it can until the atmosphere overpowers it. So long and thanks for all the pics, Cassini.
Or take the Steve Hoffman reissue of Joni Mitchell’s Blue . With the Soulution gear, as I’ve noted several times before, the overdub of Joni singing backup to her own lead on “Carey” and other numbers is unmistakably potted in. It sounds exactly like what it is—a different spot of space and time cameo’d into the soundstage. With the Khartago, the artificiality of this bit of engineering is a bit less obvious (as, by the way, it was meant to be). Although you still hear the overdub as an overdub, the effect doesn’t stand out quite as nakedly as it does through the Soulution 710 or 700.
Users can still easily access the service using one of Spotify’s official apps, as well as simply log on to Spotify using another browser, so it’s unlikely anyone would be more than somewhat inconvenienced by the bug. Safari comprises a surprising share of all browsers at percent , per ZDNet, but that includes a large number of mobile users who always have the option of just using the app.